For each shot on the list, you'll need to think about the shot's composition and other details involving how it will actually be filmed. If you're working on a film and breaking it down shot by shot, create what's called a shot list.This allows you to create a very detailed representation of the progression of individual scenes and is helpful when it comes to staying organized during film-making. However, you might eventually want to break the film down into individual scenes, with a separate storyboard for each one. If youвЂ™re in the preliminary stages of a feature-length film, you have too much ground to cover to get this detailed just now. A storyboard can be incredibly detailed, with illustrations depicting every shot.

Factor in two seconds per frame on average.Дecide how detailed to get. As a general guideline, keep in mind that for a typical 30-second commercial, a storyboard should have no more than 15 frames.

If youвЂ™re storyboarding for a commercial, the process is no different: pick key images that will represent the flow and direction of the film from start to finish.

If the story begins in one city and moves to another, make sure that will be clear in your illustrations.

You may also want to depict changes in setting.

Any time thereвЂ™s a plot twist or an important change, include it in the storyboard to move the story along.

Pick scenes that show the plot developing from start to finish.

Think your story through and brainstorm a list of the key moments that you want to illustrate on your storyboard.

The point isn't to try to recreate the entire experience in a flip book, but to demonstrate important key parts that will draw the viewer in. A storyboard is meant to give its viewer the gist of how the story will translate to film.

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